The Edge of Destruction review [David Whitaker]

The Doctor, Susan, Ian and Barbara are trapped in the TARDIS, stirring from unconsciousness with little memory. Strange things begin to happen on the ship, and it's not long before Susan suggests that perhaps a fifth intelligence is aboard, hidden inside one of them.

When and where?: This serial takes place entirely inside the TARDIS, which is travelling backwards in time thanks to a malfunction with the fast-return switch.

The Doctor's Case:

• The best thing about this story is what it tries to be, or rather what it should be: a claustrophobic story where the crew believe that some presence is on the ship hiding in one of them, resulting in a character-centric story that resolves the animosity between the Doctor and Ian and Barbara and has them start to trust one another. The distrust sewn between each of them whilst under the belief that there is an intelligence aboard could have been thoroughly engaging, but what we instead get is inconsistent amnesia and Susan stabbing her bed with scissors. 
  
• The Doctor, of rational mind rather than being insane like Susan, accuses Ian and Barbara of sabotaging the ship, and an argument follows. This sort of exploration of the relationship between the schoolteachers and the Doctor is the highlight of this serial. At the end, the Doctor shares a laugh with Ian and tells Barbara how valuable she is, walking arm-in-arm with her. It's terribly sweet and nice to see the beginning of real friendship between the Doctor and his two newest companions.

The Valeyard's Case:

• A Bad Quotation:
• "We had time taken away from us and now it's being given back to us because it's running out." Oh, Barbara, what are you talking about?
  
• Susan becomes a homicidal maniac armed with a pair of scissors. Trying to protect herself from Ian and Barbara under the belief that one of them was possessed would have been fair enough and not entirely uncharacteristic of her terrified and ineffective self, but instead she becomes unstable. Not only is it not very nice to watch but it makes so little sense.
• Barbara screams and throws away her watch after seeing that its face has melted before collapsing into a chair to snivel. This sort of pathos is expected from Susan, unfortunately, but Barbara is a much stronger woman.
• The pacing for this serial is very strange. There's no build to Susan's madness. Explosive things happen and then people pass out and forget things for no real reason. Some of the acting from Carole Ann Ford and William Russell is poor at times, but then the script doesn't make it easy for them.

Was First a Chauvinist?:

• The Doctor tells Susan and Barbara that the ship will disintegrate in ten minutes, but admits to Ian that it will actually be in five minutes. Sexist? Possibly, but when Susan and Barbara have been screaming and breaking down as much as they have it makes sense not to worry them too much.

I'll Explain Later:

• Ian says that the Doctor's heart is alright. Surely he should have noticed that he has two.
• "I can't take you back, Susan. I can't," the Doctor rambles. Why did he take Susan from Gallifrey in the first place?

The Inquisitor's Judgement: A good idea for a bottle episode spoilt by unusual pacing and inconsistent characterisation, The Edge of Destruction isn't a great story. Where it succeeds is in its exploration of the relationship between the Doctor and the teachers, with their arguments and signs of friendship at the end being the best parts of the serial. Unfortunately, though, the script is quite poor. Amy's Choice is better. The Edge of Destruction is bad, and that earns it a D.

Doctor Who (Season 1)

The Daleks  |  The Edge of Destruction  |  Marco Polo

An Unearthly Child review [Anthony Coburn]

In a junkyard on Totter's Lane stands a police box. Young genius Susan Foreman has the yard recorded as her address at Coal Hill School and when two of her schoolteachers investigate they find that the police box, belonging to her grandfather, is bigger on the inside. And so their journey through space and time begins.

Where and when?: The first episode is set in Shoreditch, England on 23rd November, 1963. The remaining three episodes take place somewhere on Earth in 100,000 B.C. This story takes place one month after Hunters of Earth and leads into The Daleks.

The Doctor's Case:

• A Good Quotation:
• "You say you can't fit an enormous building into one of your smaller sitting rooms?" / "No." / "But you've discovered television, haven't you?" / "Yes." / "Then by showing an enormous building on your television screen you can do what seemed impossible, couldn't you?"
• "Have you ever thought what it's like to be wanderers in the fourth dimension? Have you? To be exiles? Susan and I are cut off from our own planet, without friends or protection. But one day we shall get back. Yes, one day. One day."
• "Orb has sent me this creature to make fire come from his fingers. I have seen it. Inside he is full of fire. Smoke comes from his mouth." / "As lies come out of yours."
• "Fear makes companions of all of us."
  
• The first episode of this story is one of Doctor Who's very best, as well as one of its very simplest. Ian and Barbara are an instantly likeable and relatable pair with chemistry from the off, and their discussion about Susan (complete with flashbacks, which became very unusual for the classic series) succeeds in making the audience wonder about this contradiction of a girl. She's a genius but the finer points of 1963 Great Britain are lost on her, and then there's the fact that she lives in a junkyard. Susan is never better than she is in these twenty minutes - mysterious, intelligent and unearthly and not the screamer she so quickly becomes. The Doctor, too, is an interesting character and his spikiness, rather than making him unlikeable as the somewhat more exaggerated trait that the Sixth Doctor was given in The Twin Dilemma, closes him off and makes him all the more mysterious. This episode is absolutely perfect.
• The Doctor's relationship with Susan isn't something that's a large part of the series, but there are some nice moments between the two of them. Rather than open the doors to let Ian and Barbara out and risk Susan leaving with them, he chooses to kidnap them. Whilst the Sixth Doctor's relationship with Peri was antagonistic and frequently unpleasant to watch, the Doctor and Ian are capable of holding their own against one another, but when it comes to it Ian tells Za that the Doctor is their leader. He might find the Doctor disagreeable but he respects him.
  
• The guest characters for this story might not be the most memorable or engaging, but Hur is a decent character.

The Valeyard's Case:

• A Bad Quotation:
• "This is where you live, Susan?" Is that all Barbara has to say after entering a dimensionally transcendental timeship?
• "I like walking in the dark. It's mysterious," Susan says in the first episode. Her breakdown after the Doctor's disappearance in The Cave of Skulls quickly becomes overly melodramatic and shatters the image of her we've developed. We know that Susan has travelled to other worlds before arriving in Foreman's Yard (the Moon, Rua, Quinnis, Akhaten, Nazi Germany) and is just as seasoned a time-traveller as her grandfather, and yet she spends a significant amount of time wailing. Barbara does her fair share in the third and fourth episodes but she has the excuse of being entirely uprooted and out of her depth.
• Yes, they're cavemen, but Kal would have to be an idiot to produce his own knife knowing that it's covered in the old woman's blood. Not quite as inexcusable as the trial scenes in The Keys of Marinus but still a very silly thing to do.
  
• The fight scene between Za and Kal is incredibly awkward. The poor choreography, the long pauses, the weird drum music and Kal's short screech of a dying yell. The, erm... effect of the TARDIS crew running through the jungle (that is, jogging on the spot and swatting at branches) is similarly embarrassing.

Stray Facts:

• The best five months of Susan's life were on Earth, 1963. She apparently didn't enjoy her life too much on Gallifrey.

Was First a Chauvinist?: 

• The Doctor, when seeking to get rid of Ian and Barbara in Foreman's Yard, takes Ian to one side to try to speak sense to him. Sexist? Possibly, but still a far cry from Bradley's Doctor in Twice Upon a Time.
• The Doctor refers to the Native American as having a "savage mind".

His Constant Companion: The old woman is murdered by Kal with a stone for trying to keep the secret of fire from him. Kal is killed by Za in a fight.

I'll Explain Later:

• What's the Doctor been doing in Shoreditch all this time whilst Susan's off at school?
• Susan claims that she herself came up with the name "TARDIS", which is perhaps the first hint that the Doctor built the TARDIS himself and that it's one of a kind, something that he later implies in The Chase. But we know that this isn't the case and that there are multiple TARDISes.
• This is later explained in The Beginning. Susan believed that she had come up with the name herself, although this wasn't actually the case.
• The Doctor says that he and Susan are exiles, cut off from their own people and without protection or friends, but that one day they will return. This origin doesn't really gel with what we learn later in the show. From this story it seems that the Doctor and Susan were cast out (indeed, William Hartnell and Carole Ann Ford apparently devised a backstory where Susan had done something to annoy their people). However, we later learn that the Doctor left of his own accord in a stolen TARDIS because of a number of reasons: he believed himself to be the hybrid that would destroy Gallifrey, he wanted to see the universe, and he found the plight of those left to suffer by the Time Lords too much to bear. So Susan says in The Beginning, she didn't know why it was that they left.
• Why do Ian and Barbara pass out in the TARDIS? It never happens to any future companions.
• Did nobody ever see Za's father make fire?
  

The Inquisitor's Judgement: The first episode of this story is an excellent start to Doctor Who, setting up interesting characters and an interesting premise. The Doctor, Ian and Barbara are all capable and enjoyable (even if the Doctor isn't the most likeable or accessible, there's no denying that he's a good character to watch) and Susan is initially intriguing. The remaining three episodes are good, although Susan is reduced to a wailing girl without any unearthliness about her. Overall, An Unearthly Child is a promising start to series 1 and to the show at large. Being good, this story earns a B.

Doctor Who (Season 1)

An Unearthly Child  |  The Daleks

The First Doctor's Timeline
Hunters of Earth  |  An Unearthly Child  |  The Daleks

All Hands on Deck review [Eddie Robson]

"A long time ago, you decided I was going to stay here. I didn't get a choice. I've had a good life on Earth but I'm making the decision this time." - Susan

Who are we with?: The Time Lady Susan Campbell.

Where are we?: The 2210s. For Susan this takes place some time after To the Death. For the Doctor, it's at some point between the end of the Doom Coalition series and The Starship of Theseus.

The Good:

• It's always a pleasure to return to Susan post-The Dalek Invasion of Earth, and even more so to see how she is after the death of her son at the end of the Eighth Doctor Adventures. There's very little continuity aside from Susan's hostility towards the Doctor but we do learn a bit about her life since then and there are a few sad notes, such as when we hear of how Susan didn't need so big a house anymore.
• The last few scenes with the Tesseracts and Susan being picked up by the Time Lords to join the Time War are very enjoyable and it's very satisfying to now know why the Doctor in the modern series assumes that she's dead. At long last this question has been answered.
• The final scene is an inversion of the First Doctor's farewell to Susan in The Dalek Invasion of Earth. Susan has gone forward in all her beliefs and grown to become a strong character, leaving the Doctor behind as he once did to her.
• Susan is once again an excellent character in this story, beautifully written and wonderfully performed. Big Finish has given the character a whole new lease of life and developed her from the somewhat pathetic teenage girl of the '60s.

The Bad:

• Why wasn't this a full cast audio drama? The goodbye would be that much more poignant with Paul McGann opposite Ford.
• Shouldn't Susan be angrier at the Doctor leaving her to deal with Alex's death alone? That would have been an interesting nugget of their relationship to explore, but instead Alex isn't so much as mentioned. Perhaps it was to avoid alienating those who haven't listened to Lucie Miller/To the Death, but all the same it's a missed opportunity and one that's now unlikely to be returned to.
• The Doctor's distractions come across almost as filler until we get to the meatier ending. There is, of course, a good narrative reason for them but wouldn't it be more fun if the Doctor was staying with Susan ostensibly to help her cope post-Alex whilst actually being there to throw away any Tesseracts that arrive?

A Good Quotation: "Don't be afraid for me. It's the right time. That's why they came for me now. They know I've done all I can here. You go and do what you need to and I'll do what I need to. And one day we'll see each other again. One day." - Susan

This Reminds Me...:

• We first saw a Tesseract in The War Games, in which the Second Doctor uses one to contact the Time Lords.
• Susan tricks the Doctor in a reversal of what he later does to Rose (The Parting of the Ways) and Clara (The Time of the Doctor). Perhaps Susan's where he learnt it from.

I'll Explain Later: 

• Why doesn't Ian and Barbara's plaque have a date of death? 
• If Susan isn't her real name, why does the Doctor call her that in The Beginning?

Verdict: An okay story with a superb performance by Carole Ann Ford and a heart-breaking ending. It seems that this is the end of our visits to an older Susan, which is a huge shame, but perhaps we'll catch her in the Time War at some point. She did say they would meet again one day, after all. C.

Short Trips

A Heart on Both Sides  |  All Hands on Deck  |  The Ingenious Gentleman Aldric of Alzarius