Sunday 5 August 2018

Vengeance on Varos review [Philip Martin]

The Varosians are a people bordering on destitution, kept in abeyance by the government's endless stream of televised torture and executions. But then the Doctor and Peri land on Varos, looking for a precious mineral the worth of which the people of Varos don't have the faintest idea, and Sil of the Galatron Mining Corporation will do anything to keep it that way.

When and Where: Early 24th century Varos (assuming Peri is right in saying that the guest cast were all born almost 300 years after 1984). For the Doctor and Peri this isn't long after Attack of the Cybermen, although they've had the time to visit the frozen plains of Yuin 9, and is an indeterminate amount of time before The Mark of the Rani. For Sil this is a number of years before Mission to Magnus.

The Doctor's Case:
  • A Good Quotation:
    • "This governor calls a punch-in every time he wants to change his trousers. The sooner he gets ruled out, the better." / "What would the next one do different?" / "Everything. Anything."
    • "You've only got one life. You'll age here in the Tardis and then die. Me, I shall go on regenerating until all my lives are spent."
    • "He's the worst governor we've had since. Well, since-" "Since the last one?"
    • "I find the G-forces of this Varos-size world quite excessive."
    • "If we can obtain enough Zeiton-7 to realign the transpower system, the TARDIS will be like... Well, as she was."
    • "Sil's language transposer has an eccentric communication circuit, but don't tell him. It's my only amusement."
    • "The cameras are still functioning…let the show begin. I want to hear them scream until I’m deaf with pleasure. To see their limbs twist in excruciating agony. Ultimately their blood must gush and flow along the gutters of Varos. The whole planet must delight in their torture and death."
    • "And that, fellow citizens of Varos, is my vowed intention. For without justice and peace and tolerance, we have no future. I know you will all work as hard as I shall for a glorious tomorrow. Thank you for allowing me into your homes. Thank you."
  • It's a dystopian world so there's an oppressive government. The two things go hand-in-hand. This episode, however, subverts this expectation by having the Governor be the real victim of both the elite and the populace - the elite manipulate him for their own agendas and the public are able to physically punish him if they disagree with him. It's an original idea and provides some very good political commentary, with Arak hating whoever is governor and saying that everything they're doing is wrong. Each Prime Minister of the United Kingdom is treated the same way, being called the worst the country's had and saying that their successor should do everything differently. Having us sympathise with the Governor is one of those clever things that Doctor Who does sometimes that deserves so much more recognition than it gets.
  • Before we had Bad Wolf/The Parting of the Ways, we had reality TV as a theme in Vengeance on Varos. It's a chilling prediction of the future in the same way as the film Shock Treatment is, with the people of Varos living their lives glued to screens and, when reality TV is taken from them, they don't know what to do. The existence of reality TV has taken away the Varosians' need to have their own lives and they're (almost entirely) happy with that. Arak and Etta are a great addition to the script showing us all what we ourselves do, like complaining about things baselessly and without any thought.
  • Every now and then in Doctor Who, we get breakout villains that are too good not to return. The Daleks, the Cybermen, the Ice Warriors, the Great Intelligence, the Silurians, the Sontarans, Davros... and now Sil. He's not nearly as dangerous of any of the aforementioned but he's a character afforded a great deal of funny dialogue and extraordinarily well-performed by Nabil Shaban, providing his iconic and unusual laugh. His costume, too, is one of the more memorable and inspired of recent seasons. My boyfriend might hate him for reasons I don't understand, but I doubt many people were surprised when Sil's return was hastily pencilled in for season 23. He's a great character here and his return in Mindwarp is a welcome one.
  • I can understand a lot of the reasons why a significant portion of the Doctor Who fanbase don't like the Sixth Doctor's criminally brief era, but one that I will never accept is saying that Colin Baker can't act. The cliff-hanger to episode one is one of my favourites of all time and it's almost definitely the best of this season, with the Doctor crawling on the floor rapidly dehydrating. It's a very convincing performance of what could easily have been embarrassing and ineffective in the hands of another actor - he really does convince that he's dying, even though we know he obviously won't.
  • A common complaint about this story is the acidbath scene, but I couldn't disagree more. The Doctor clearly had no intention of killing either of the guards, with the first being accidentally pushed by the second and the second being pulled in by the first. Perhaps his James Bond one-liner was a little blasé, but the deaths were an accident and there's a look of revulsion on his face as he watches them dissolve.
The Valeyard's Case:
  • A Bad Quotation:
    • "You even managed to burn dinner last night." / "I have never said I was perfect." / "If you recall, last night I was supposed to have a cold supper." Is this humour?
    • "I think he needs more than water, Peri, eh?" / "Like cyanide." Chill out, Peri. 
  • The Sixth Doctor has a number of obstacles in the way of winning the confidence and hearts of the audience already, what with his outlandish costume, his brashness and the memory of The Twin Dilemma. Having Peri list a numerous off-screen examples of his incompetence just makes it that much more difficult to believe that this is the Time Lord we know and love and that Attack of the Cybermen did a reasonably good job of proving. He's caused electrical fires, a total power failure, a near-collision with asteroids, gotten lost in the TARDIS corridors, wiped the memory of the flight computer, jettisoned three-quarters of the storage hold and burnt dinner, all since leaving Telos. His calling Peri by a number of his previous companions' names (as mentioned in Attack of the Cybermen) can be forgiven since he'd only recently regenerated, but these continued examples of his idiocy hardly a Doctor make. The Eleventh Doctor not knowing the intricacies of the TARDIS console (as seen in The Time of Angels/Flesh and Stone and The Impossible Astronaut/Day of the Moon) is funny, shows us how good River is as piloting the ship and is forgivable because, despite his inelegance, he too can fly it and isn't incompetent.
  • Arguably one of the biggest issues with season 22 and the forty-five minute format is that it takes the length of your average classic Who episode for the Doctor and Peri to arrive at their destination. They hang around in the console room, bicker and then encounter some sort of problem with the TARDIS as the script writer struggles for reasons to keep the pair from this week's setting before finally arriving twenty-five minutes in. It allows for the world to be explored in their absence and for the setting to be properly and fully established before the TARDIS lands, but is it really impossible to do that with the Doctor and Peri there? The TARDIS isn't an impressive set and having it feature so much with so few things of interest happening in them almost takes the magic of the TARDIS away. It becomes too domestic and regular.
  • We're told that the Varosian elite are living in luxury by Areta and that discovering this is why Jondar is being tortured. However, we see nothing of this, with the scenes of the Governor and his Chief Officer being set in locations just as dingy and depressing as those with Arak and Etta. If we're to believe this we really have to see it, otherwise there seems to be little if any class divide between the descendants of the guards and those of the inmates.
  • In Attack of the Cybermen the Doctor killed a number of Cybermen, one using his sonic lance and the others with a cyber-gun. These can be excused by the fact that the Earth and the billions of people who lived there (as well as the sleeping Silurians) were at risk of total annihilation. What I do take issue with is the Doctor setting up the laser in this episode in such a way that the guards could easily (and do) walk into it accidentally and die.
I'll Explain Later:
  • Who's having their vengeance on Varos? Is it the vengeance of the Varosians upon the Galatron Mining Company? I'm not sure I buy that.
  • The TARDIS can warn the crew (in an unusual and ineffective way, admittedly) about the fast return switch (The Edge of Destruction) but not that it's running low on fuel? 
  • In The Day of the Doctor, we learn that the Doctor's promise to himself was to "never be cruel or cowardly. Never give up. Never give in." How come the Doctor gives up and gives in so quickly after the TARDIS runs out of fuel?
  • Zeiton-7 is needed for every TARDIS yet the Varosians aren't aware of its value? Do Time Lords buy it from third-parties like Galatron or do they only get it from Varos's future?
  • Who were the cannibals?
  • Why is the Galatron invasion cancelled? Surely owning Varos is far more important than whatever scarce supply could be mined from an asteroid.
What's in a Name?: Planned titles for this story include Domain or Planet of Fear, but the latter was too similar to season 21's Planet of Fire.

His Constant Companion: The Doctor leaves a laser on that kills a Varosian guard. Rondel is unceremoniously shot by a guard after serving his purpose to the plot. One guard is accidentally knocked into the acidbath before pulling in his friend. The Doctor gets Jondar to kill the Chief Officer, Quillam and a guard with the death-vines.

This Reminds Me...:
  • Jondar's torture is similar to the torture the Ninth Doctor will endure in Dalek.
  • "Water me!" "Moisturise me!"
The Inquisitor's Judgement: Vengeance on Varos is one of my least favourite stories of Doctor Who, not because it's an atrocious mess like Time and the Rani or as mundane as Fear Her but because it's got so many genius ideas mixed with a whole lot of... unimpressiveness. The script is decent with some outstanding dialogue and Colin Baker gives his best performance yet, alongside a stellar guest cast (Nicola Bryant's fine, but I'm really not a fan of Peri), with Martin Jarvis as the Governor and Nabil Shabhan as Sil being the highlights. At this point, there's no doubt that Colin is the Doctor. The sympathetic Governor and the role of television is true genius and I can't commend Philip Martin enough. The problem with this story isn't the violence, which I think is largely a non-issue, but it's that it's not always that entertaining. A script can be as clever as you like, but if it isn't entertaining then it's missing the mark and this story is guilty of running around in circles and perhaps being a little too dark for its own good. Ultimately, Vengeance on Varos is okay and, although I wish I could rate it higher, earns itself a C.


Doctor Who (Season 22)
Attack of the Cybermen  |  Vengeance on Varos  The Mark of the Rani

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