The Pandorica Opens/The Big Bang review [Steven Moffat]

A Steven Moffat two-parter. We've had The Empty Child/The Doctor Dances, Silence in the Library/Forest of the Dead and The Time of Angels/Flesh and Stone, which count amongst the very best of modern Doctor Who. How will this one compare?

The Doctor's Case:

• A Good Quotation:
• "You graffitied the oldest cliff-face in the universe." / "You wouldn't answer your phone."
• "What's it short for? Roranicus?"
• "Hi, honey. I'm home." / "And what sort of time do you call this?"
• "I'm River Song. Check your records again."
• "Where's the Dalek?" / "It died."
• "Not to you?" / "He doesn't really know me yet. Now he never will."
• We've seen the Eleventh Doctor foster a friendship with a little Scottish girl. We've seen him come to the rescue of Dr River Song and begin peace talks with Silurians and move in with Craig Owens. Now we get to see him take on something grander and potentially universe-ending and Matt Smith does a very good job as usual. He seemed to struggle a little early in the series, but by this point he's definitely the Doctor. The speech at Stonehenge is wonderfully delivered (even if I can't help but wonder why he's not shot to smithereens - they won't shoot him but will lock him up and leave him unguarded?).
  
• Dr Song isn't as interesting as she was in her previous appearances, but this episode doesn't focus very much on her so this is understandable. After showing the painting to the Doctor, she's just one of his companions who happens to be able to fly the TARDIS (somewhat like Nyssa in that regard), which isn't necessarily a bad thing - we don't need to spend every one of her appearances wondering who she is. There's no hint of the smugness that would come to overtake her character and which was visible to a much smaller degree in her first two stories. Her escape from the Stormcage is a good scene and the stick-figure being held at gunpoint is funny.
• Seeking to contend with the extraordinary opening of The Time of Angels, we get a teaser that sprawls space and time. It's nice to see people from across this series (Liz Ten, Churchill and that robot scientist guy, Vincent, River) and have all these disparate worlds and stories connect in a way. It doesn't feel like it but it's seven minutes long, teasing you with what the painting is.
• It's not quite as effective as Sarah crying over the imminent death of her adoptive son in The Stolen Earth, but the reactions of the Doctor, River and Amy to the threat of the Daleks gives the thought of them makes them seem so scary that you almost forget their neutering only earlier this series in Victory of the Daleks. The presence of the Daleks should never garner a reaction any less terrified than River's.
• Amy shows fear and sorrow and amiability and you might almost forget the smug and unknowable cheat that we travelled with for most of this series. Rory is back, as a Roman, and the scenes between the couple, as Rory struggles to make Amy remember him and then Amy tries to stop him from going Auton, are probably the best scenes of the two of them together. Unless seconded by Amy's Choice. Rory shooting her is tragic. The Big Bang is her best episode since Amy's Choice. She really was very good in this one, as a companion and in the scene where she remembers the Doctor at her reception.
   
• River in an exploding TARDIS; Amy's been shot; Rory's an Auton; the Doctor's been sealed in the Pandorica by the unholiest of alliances. What a way to end an episode. This is surely one of the best Doctor Who cliff-hangers.

The Valeyard's Case:

• A Bad Quotation:
• "I hate good wizards in fairy-tales. They always turn out to be him."
• "She is to me!"
• "You absolutely definitely may kiss the bride."
• "We haven't even had a snog in the shrubbery yet."
• As can be seen in the first of the bad quotations, Moffat indulges in a little mythologising of the Doctor. It's something Russell T. Davies was very guilty of himself and it's always a bad thing. Can't he just be a madman with a box?
• The Doctor calls in the Romans to fight the Alliance. Putting those lives in danger, risking damage to the timeline with their deaths, is a strange choice for the Doctor to make, not to mention their lack of effectiveness against a million starships.
• The Cyberman beneath Stonehenge serves a purpose but doesn't make for a particularly gripping scene. Perhaps I've just been disillusioned with the Cybermen.
  
• Did anyone else guess that the Pandorica was the Doctor's prison? When he said about the prisoner dropping from the sky and messing up your world it seemed obvious.
• Up until the final five minutes, this was a great showing for Amy, then she goes and delivers the last two quotations above. Thanks for reminding us of the terrible life choices of Amy Pond on the night before her wedding. I was in danger of liking her.
• The Big Bang, whilst not hugely difficult to understand, is needlessly over-complicated with Moffat's trademark timey-wimeyness.
• The "1,894 years later" wasn't at all necessary. The viewers are surely clever enough to work this out the moment we hear little Amelia's voice.
• We met Jackie Tyler in Rose's first episode; Francine and the other Joneses in Martha's first episode; and Sylvia and Geoffrey Noble in Donna's. It's taken this long to finally meet Amy's aunt Sharon. Amy's lack of a family has retroactively become a plot point - there was no hint of anything being wrong with Amy's family life until the Doctor mentioned the size of the house in the previous episode - but the lack of a family to teach us more about her as a person has made her more difficult to warm to than her predecessors.
• What luck that Amelia touched the Pandorica! Exactly what was the Doctor going to do if she hadn't? Lured her there a second time?
  
• There couldn't have been a less satisfying way to deal with the Doctor's predicament at the end of The Pandorica Opens. After all the drama, the Doctor is released with the flick of a screwdriver given to Rory by... his freed future-self. No. It makes no sense.

Professor Who?: River can fly the TARDIS and was taught how to by the Doctor. She has met the Daleks before. She once dated an Auton who could swap heads. This was presumably before her imprisonment. She's scary enough that a Dalek asked for mercy after checking its records on her. She's married, and the Doctor will very soon find out who she is.

The Pandorica is Opening: The Pandorica was created by the Alliance from a snapshot of Amy's memories. It's a prison based on Pandora's box, built to contain the Doctor so that he can't fly the TARDIS, meaning that it will never blow up and cause the cracks in time. However, the Alliance was apparently unaware that Dr Song can fly the TARDIS as well and it's actually her who's flying it when it explodes.

The Universe is Cracked, Silence will Fall: The TARDIS was remotely controlled and blown up with River inside it in an attempted assassination of the Doctor, as it was assumed that he would be flying it. The Silence is still out there. The Doctor wonders why they drew the TARDIS to the date of the Williams-Pond wedding and why they blew it up.

I'll Explain Later:

• The Doctor knew about this cliff-face but is only now going to look at it? Coincidentally whilst he's travelling with the mother of the woman who wrote the message? Whilst in this incarnation? After he's met Vincent? Seems awfully lucky.
• How did the Alliance form? Daleks were willing to team up with Terileptils and Sontarans and Slitheen? The Cybermen were willing to team up with Draconians and Drahviins and Zygons? It shows how dangerous the threat of the TARDIS exploding is to all of existence, but it seems something that even Mance Rayder might struggle with organising.
• River's met the Daleks before? Why haven't Big Finish shown us her first encounter with them yet? Get on it.
• When River begs the Doctor to run, he asks where he could run to. Doesn't she have a vortex manipulator that could take them anywhere and anywhen?
• River identifies some ships as Slitheen. Shouldn't she have said Raxacoricofallapatorian?
• Rory is a Roman because he was taken from a snapshot of Amy's memories on the day of her wedding, but Rory ceased to exist and Amy doesn't remember him so how is this possible and how is there a photograph of him at Amy's?
• Don't the Cybermen chop people up before dumping their brains in a metal suit? How come there's a whole skull inside the Cyberman's head? Was Yvonne Hartman still blonde and beautiful when she took down her cyber-comrades for Queen and country?
• How did the Alliance know that the TARDIS was what caused the cracks in time?
• How did River know to give Amy her diary? She must have forgotten the Doctor as everyone else had. How can she even exist given that the Doctor's existence was the reason that she was born? How does her diary exist? The timey-wimeyness doesn't make much sense.
• If the universe has been restored, does that mean Amy and Rory remember the Daleks now? If so, why doesn't Bill Potts?
  

The Inquisitor's Judgement: The Pandorica Opens has a fantastic opening sequence and a very good ending and is undoubtedly the better episode of the two. Between these two points is a decent-enough episode, even if it isn't thrill-a-minute. There's certainly some empty space that could have used filling in order to make this a great episode. In The Big Bang, some questions are answered, some questions aren't. All in all, this second half wasn't great, being unnecessarily complicated by vortex manipulators and cracks in time and rules that don't make the least bit of sense. Amy, River and Rory were all decent, as was the Doctor, but this episode was just a bit too messy when its actual story could have been so much more streamlined. In conclusion, this two-parter altogether deserves a D.

Doctor Who (Series 5)

The Lodger  |  The Pandorica Opens/The Big Bang  |  A Christmas Carol

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Extinction review [Matt Fitton and Andrew Smith]

Whilst Scientific Advisor Osgood attends a 'skyfall' incident with Colonel Shindi and Captain Josh Carter, Kate's duties take her to visit Devlin Future Tech, and reclusive billionaire Simon Devlin.

Journalist Jackie McGee is also on FutureTech's case, and nothing's going to get in the way of her story: a product launch that will change the world...

When and Where: Extinction takes place between The Power of Three (which took place at some point between 2016 and 2020) and The Day of the Doctor (which was at least a year after the beginning of the former episode). By Power Cell, Shindi is still recuperating from being shot but Osgood has met the Eleventh Doctor, so The Day of the Doctor is next for UNIT.

The Doctor's Case:

• A Good Quotation:
• "Here at Devlin FutureTech, your future is in our hands."
• UNIT: The New Series begins very new, with a modern plot that brings the Autons to the contemporary age in a way that Rose didn't attempt.
• Rather than reintroducing UNIT through a sat-down discussion as it was in Spearhead from Space with the Brigadier and Liz Shaw, this story begins with Kate and her crew in action trying to save an extraterrestrial crocodile in the River Severn. The organisation hasn't been allowed to be too effective since the Third Doctor left them, meaning that in the modern series they're usually made useless so that the companion has the opportunity to be clever. For example, they have to bring in Clara in The Magician's Apprentice and again needed her in The Zygon Invasion. Here there's no Clara, meaning that they have the chance to be an effective and intelligent force for good.
• On television, Kate has a nasty habit of just being a sound-board delivering cool Moffatisms like River or Missy ("He's on the payroll", "With dress sense like that you must be the Doctor", "I've got officers trained in beheading. Also ravens of death.") rather than being an actual character. She improved by The Zygon Invasion/The Zygon Inversion, but here she is undeniably flesh and blood with thoughts, feelings and a history. Osgood too was a bit of a gimmick on TV, and has similarly been rounded into more of a character.
• Devlin gets a plastic skull that means he's able to connect to the Nestene Consciousness. This could have seemed like a ridiculous idea if it wasn't handled so well, with Devlin's delivery and Kate's shock.
• Setting UNIT apart from the Torchwood Institute is that UNIT isn't outside of the government nor beyond the police. Kate has to visit Downing Street to speak to the Prime Minister and Colonel Shindi visits Geneva, with both leaving feeling frustrated at the lack of leeway being given to them. Torchwood would go in all guns blazing. It's good that Big Finish have chosen to stress the difference between the two organisations as otherwise having them both be separate might feel redundant. If a story would play out exactly the same in a Torchwood One or UNIT story then Big Finish aren't doing their job.
• Jacqui isn't a character I thought much of for most of Extinction, but her scene at the very end where she sounds like a mad conspiracy theorist is definitely standout.
• We haven't seen a whole lot of science leading, but Kate going to the Nestene to discuss terms is an example of UNIT's ethical growth since Doctor Who and the Silurians and Children of Earth.

The Valeyard's Case:

• We're introduced to a few new UNIT personnel: the rule-flouting Captain Carter and the hard-line Colonel Shindi. Their first scene together feels mostly natural, if a little obvious at getting us to know that one's a rebel and the other faultlessly dependable. Neither of them had much to do in Vanguard to set them apart, but Lieutenant Bishop is very much a main character in his first appearance and we learn nothing about him either. 
• "Everyone wants to talk about Dad today." Kate's right, and having the shadow of the irreplaceable Sir Alistair Gordon Lethbridge-Stewart over this story does nothing but cast her in the same shadow. The Brigadier shouldn't be forgotten about, of course, but if Kate is going to lead a new UNIT series then we shouldn't be being reminded of him all the time.
• There's a lot of exposition in Earthfall. It's necessary and had to end up somewhere, but it doesn't make for the most exciting of stories.
• Osgood and Lieutenant Bishop go to the Gobi Desert in search of a Nestene energy unit. Unfortunately, this thread isn't a very interesting one and nothing much comes of it except the sphere's retrieval at the end. It's a wholly unmemorable adventure for the two characters.
• Auton conversion is introduced. It's always good to bring new things to old villains but this feels too much like the Cybermen.
• The 3D printers printing Autons was obvious from the beginning, yet Kate and Osgood apparently didn't have the slightest inkling until the printers began printing. It makes them seem rather naive.
• That news jingle very quickly gets annoying. Angering, even, and Nicholas Briggs's voice is so prolific in Big Finish that it always breaks the immersion for me when I hear his voice as a bit-character.
• Captain Carter now has an Auton skeleton more or less as a result of his own recklessness. However, he's completely and entirely okay with being plastic now, which shouldn't be the case. It isn't interesting and would be like if Owen Harper had no qualms about being dead.
• The use of anti-plastic makes Armageddon a mix of Spearhead from Space and Rose. It's a shame that the resolution is so easy.

I'll Explain Later:

• It's not until Armageddon that there's any mention of the fact that Kate has two children. With the world coming to an end, one would think that she'd have her children in mind, but they're mentioned only once in a throwaway line.

This Reminds Me...:

• Osgood has read the UNIT files on the Nestenes, referring to the Third Doctor adventures Spearhead from Space and Terror of the Autons.
• The Pharos Project from Logopolis is mentioned.
• UNIT uses nitro-12, which is presumably a new and improved version of nitro-9, Ace's weapon of choice since Dragonfire.
• On the cover of Earthfall, Osgood seems to be wearing a cat badge. This was arguably the least offensive of the Sixth Doctor's items of clothing.
• Kate mentions that she plays bridge, which she said she was outstanding at in Dark Water.
• Devlin says that UNIT have used investigative reporters before, referring to Sarah Jane Smith.
• Kate orders five rounds of RPG fire, a reference to her father's "five rounds rapid".
• Anti-plastic was first seen in Rose, where a Nestene was killed by a vial.

The Deliberation: 

• Vanguard updates the plot of Spearhead from Space and brings both UNIT and the Nestenes into the 21st century. (We can't be much more specific, but this is probably the 2010s.) Vanguard establishes the characters both old and new in a way that doesn't feel remotely superfluous or purely functional. Kate doesn't just spout "cool" lines and Osgood is far more effectual than she was on TV. 
• Earthfall is rather disappointing, following an extraordinarily strong start to the first series of the new and improved UNIT. It has atmosphere and is perfectly functional, but involves a lot of exposition being dumped and not much else really happening. Osgood and Bishop's sojourn isn't very interesting and Kate doesn't get up to a whole lot. This story is too short and concise and could have done with more colour and excitement.
• Bridgehead shows that the box set, after a promising start, has sagged somewhat in the middle with the most blatantly obvious reveal of what the 3D printers were for and very little else. When it's been this obvious to the listener since the superior Vanguard, it makes Kate and Osgood look stupid. Perhaps New UNIT does need Clara around after all. Also, I hope I never hear that news jingle again.
• Armageddon rounds up Extinction neatly and steps up from Andrew Smith's somewhat average middle episodes. The Nestene's defeat isn't anything we haven't seen before and the existence of the anti-plastic comes out of the blue, but it can't be said that Armageddon is anything less than competent. Still, it's not quite Vanguard.

The Inquisitor's Judgement: All in all, Extinction is a relatively stream-lined story that mixes and modernises the plots of Spearhead from Space, Terror of the Autons and Rose to create a confident tale that's a promising start to UNIT: The New Series in a way that, for example, the first series of The Diary of River Song isn't. That volume could just have easily been about Jack Harkness or Charley Pollard, but Extinction is unabashedly UNIT. It has a number of problems and Earthfall is forgettable, but Vanguard is a high-point for Big Finish. These issues, however, are minor and Extinction is, overall, very good and has earnt itself an A.

UNIT: The New Series

Extinction  |  Shutdown

Rose review [Russell T Davies]

"Oh, don't give me that. It's an invasion, plain and simple. Don't talk about constitutional rights." - The Doctor

Rose Tyler is an ordinary teenage girl. She goes to work, she spends lunch with her boyfriend, she comes home to her mum. The same thing every day. But there's an invasion coming. A consciousness from outer space has its designs on Planet Earth, and the Doctor is on his way to stop it.

The Good:

• The "zooming from space into London" sequence becomes something of a Doctor Who cliche in the modern series, but here is its first use - opening the episode. We don't start with Rose's regular working-class life in a regular British city but instead from the bigger picture. We see the marvels of the wide world before becoming trapped in Rose's claustrophobic and stressful life. With the montage of her daily life we quickly learn all about the character, her relationships and her motivation for why she might want to travel aboard the TARDIS. We get this again with Martha in Smith and Jones, Donna in Partners in Crime and, to a lesser degree, Bill in The Pilot, whilst we meet a young Amy in The Eleventh Hour. Clara goes without which proves a major hindrance in feeling close to the character, or at least feeling that we know her. Davies does it just right.

• Eccleston is instantly believable as the Doctor. He approaches the Nestene as a politician or a lawyer, something none of his predecessors ever did, but then perhaps he feels he needs all this to keep him in check after the war. It's something we've not seen of the Ninth Doctor since but he remains diplomatic. Generally.
• The companion has been a role since An Unearthly Child, generally (although with notable exceptions) being ineffectual screaming girls. Rose isn't one. Rose is Ace+, with a working class accent, a family and friends and not being afraid to save the Doctor or herself. Unlike Ace or Mel or Tegan, she feels like a real person, which is exactly what a companion should be. It helps that she's performed wonderfully by Billie Piper, easily one of the best actresses to play the role of companion.
• A number of classic companions showed very little surprise when entering the TARDIS for the first time ("That's funny. Very peculiar indeed" - Tegan), so Rose's reaction is a breath of fresh air to the almost blase reactions of previous companions. 
• The moment when Rose declines the Doctor's offer is an upsetting one, with the Doctor clearly very disappointed in losing a potential travelling companion and having to go on alone.

The Bad:

• The Autons in Rose aren't nearly as scary-looking as those seen in Spearhead from Space, especially when they do the robot before crashing out of the shop windows and again after the Nestene is killed. 
• Some of the CGI in this episode isn't great. The CGI of the Henrik's explosion, the superimpositions of the Doctor into the photographs, Mickey and the bin, the Nestene... They aren't all too embarrassing, though.
• When Eccleston has to rise above the dark and tortured role he plays so often he can come across as slightly awkward. Take, for example, his "hello!" to Rose when waving the Auton arm at her. This is only a minor gripe and one that's quickly mended this series.

• Are we really supposed to believe that Rose didn't notice there was something strange about Auton Mickey? He looks ridiculous, especially when he begins wielding his chopping board hands and starts smashing up tables for no reason.
• The Doctor struggling to break free from the Autons isn't very convincing, going on for far too long.
• The Auton invasion happens too late into the episode, beginning and then being over in a flash. The invasion not having begun gives the Doctor the chance to be diplomatic with the Nestene but having it begin earlier would have increased his urgency and added some much-needed atmosphere to the episode.
• Mickey Smith is boring in this story, being an unendearing comical coward. The only way is up for Mickey. As for Jackie, she comes across as somewhat one-dimensional in this episode but her brief scene with the Doctor in her bedroom is a highlight.

The Ugly: Rose's bedroom is disgustingly pink.

A Good Quotation: "I can feel it. The turn of the Earth. The ground beneath our feet is spinning at a thousand miles an hour, and the entire planet is hurtling round the sun at 67,000 miles an hour, and I can feel it. We're falling through space, you and me, clinging to the skin of this tiny little world, and if we let go… That's who I am." (The Doctor)

A Bad Quotation: "I can't believe that your shop went up!" (Mickey)

When Are We?: It's not been long since the War Doctor regenerated into the Ninth Doctor (The Day of the Doctor) given how he doesn't seem to have seen his reflection since getting this new face. However, we know that The Bleeding Heart and The Oncoming Storm take place before Rose, so it's not quite as soon after regeneration as we're led to believe. The End of the World takes place immediately after.

This Reminds Me...:

• An Auton invasion heralding the introduction of a new Doctor and companion? (Spearhead from Space)
• Walking around the TARDIS whilst trying to comprehend its dimensions will later be done by Clara Oswin Oswald. (The Snowmen)
• "I am talking!" the Doctor tells the Nestene. The Eleventh Doctor will later say the same thing to an alliance of his enemies. (The Pandorica Opens)

His Constant Companion: Wilson is presumed dead by the Doctor, killed by the Autons, as is Clive. The Nestene is killed after Rose unwittingly knocks the anti-plastic into it.

I'll Explain Later: 

• Why do Nestenes look like lava monsters now?
• How come all the shop window dummies have guns?
• Why can't Rose understand the Nestene? She's been in the TARDIS so surely it should be translating for her.

Verdict: A decent introduction of a new Doctor and a new companion for a new century, this episode is otherwise rather flawed. Having the story experienced through the companion is something that hasn't been done since An Unearthly Child and it's pulled off very successfully, allowing us to get to know Rose and to meet the Doctor as a mysterious and dangerous man. Plot and atmosphere is sacrificed for character, for understandable reasons, so as a standalone episode without context the episode is okay. As such, Rose earns a C.

Doctor Who (Series 1)

The Movie  |  Rose  |  The End of the World